Tuesday, June 4, 2019

Flash in the dark

Chuffed to bits and very grateful to have had my flash "Dinghy" selected for inclusion along with stories from Anita Arlov, Lisa Bell, Leanne Radojkovich, Eileen Merriman, Kirk Lafferty, and others, on this billboard to celebrate Flash in the Dark for National Flash Fiction Day, June 22!

Friday, April 19, 2019

Flash in takahē

I'm very grateful and chuffed to bits to have three flashes published in takahē magazine, thanks to Zoë Meager. You can read them here.

Thursday, January 31, 2019

White fungus

7F-5, No. 420, Sec. 2, Nantun Rd., Taichung City, Taiwan 408
White Fungus to Release 16th Issue
Taiwan-based magazine White Fungus is about to release its 16th issue. The new issue features a 50-page interview with Carolee Schneemann, an epic exploration of the world of animal music, plus Kurt Gottschalk reports on a New York performance of Max Richter’s SLEEP.
Taipei curator Jeph Lo describes witnessing the emergence of noise music in Taiwan’s post–martial law era, alongside a photo essay on political demonstrations held during the island’s transition out of military rule. There is an article about 2018 Turner Prize–nominee Luke Willis Thompson, plus an interview with Dor Guez about the Christian Palestinian Archive. The issue features new performance art from Taiwan, plus a profile of obscure Wellington street artist Ruffo who appears in Chris Kraus’s classic fantastical memoir I Love Dick.

White Fungus was started in 2004 by brothers Ron Hanson and Mark Hanson in Wellington, New Zealand. The first issue was an impromptu protest against the building of a motorway that would cut through the city’s arts district, destroying heritage buildings and forcing artists from their studios.
Copies of the first issue were produced on a photocopier, wrapped in Christmas paper and hurled anonymously through the entrances of businesses throughout the city. The name of the publication comes from a can of “white fungus”, a commercially produced pulped beverage the Hansons discovered in their local supermarket in Taiwan. In 2009 the Hansons relocated back to Taiwan where they have since been active publishing and directing live art events.
The 16th issue of White Fungus will be hitting shelves world-wide in mid-January via Boutique Magazines. If you would like any further information about White Fungus, please don’t hesitate to get in touch.
Ron Hanson

Sunday, December 23, 2018

Shadow and crow

I recently returned from a trip to Ireland. Ending with a stop-off in Yorkshire, my trip began with five days participation in the University of Limerick Winter Writing School. In between, I worked on my novel Some Things the English, and photographed a some of the winter light and its illuminations.

 Shadow and crow, Doolin, November 2018.

The Pier, Doolin.

Crow and Cliffs of Moher.

Cliffs of Moher.

Brú na Bóinne, Newgrange. 

Yeats' Tower.

Coole Park.

Coole Park.

Oscar Wilde woz ere, Dublin.

Famine Memorial, Dublin.

 Yorkshire Sculpture Park, West Bretton.  

Yorkshire Sculpture Park, West Bretton.

Yorkshire Sculpture Park, West Bretton. 

The trip had many highlights, but I'll leave you with the last one. I finally got to see Norman Ackroyd's "Muckle Flugga", the inspiration behind my poem "Outliers":


Bathed in Burra Firth’s foamy mouth,
Flugga’s mermaid coifs
her hair aloft ophiolite rock, diabase and dark
mafic glass crackles like static in magic
light at her feet. Two giants
crashed here like her kids,

obtuse, competitive
Saxa full of confidence,
Herma, better-lived. The only ones who told her they loved
her. Long gone,
they’re sleeping now on lava
pillows. Silly buggers,

they couldn’t see
she was dragging them down with her. *Blows*:

Out Stack and Muckle Flugga; the emoticon
for kiss is the same as it is for bitter. So south
of the far north, the sea, too, cries with laughter. 

First published in JAAM, Issue 32

Friday, December 14, 2018


I'm very grateful to editor Di Starrenburg for including my graphic memoir "The High-heeled Boots" - part of my New Shoes series - in the latest issue of Geometry.

The magazine is available to buy in New Zealand bookstores and free online.

Monday, November 5, 2018


Divine Feminist: Womb with a View is launching in Auckland on 22 November, details here. Invite your friends, enjoy vegan food and support this womberful book!

Saturday, November 3, 2018


I had an abortion. I already had two children. I was informed about foetal development. I also knew and accepted that my health rights came before those of an embryo or foetus; my human rights came before those of an embryo or foetus that only existed because of my body. 

I told my GP I wanted an abortion. She was very supportive and organised an appointment with the abortion clinic in my area. At the abortion clinic I had to convince a doctor, a psychologist, a nurse and a surgeon that I understood the implications of having an abortion and that I still wanted to go ahead with the procedure. 

The psychologist offered me counselling. But she also made it clear to me that I would only be allowed to have an abortion if she and the doctors considered my mental health would be impacted negatively by keeping the baby, which is to say, I had to pretend that I would be mentally ill if I was not granted access to a procedure to remove something from my body that I did not want there. 

The nurse talked about the foetus’ heartbeat and asked what I wanted to happen to the products of conception – the same terms had been used to describe the three foetuses I miscarried before having my children. It felt like I was being guilt-tripped, but the nurse assured me she was just making sure I wanted to go ahead with the abortion.

The surgeon tried to pressure me into having a contraceptive coil inserted during the procedure. When I declined, he laughed at me and proceeded to mock me. I can still hear his laughter. 

Having no autonomy over one’s own body is traumatising; having no choice is traumatising; having to lie about one’s mental health is traumatising; and having to suffer the social stigmatisation, not from the wider community but from the health professionals who, because of legal constraints, are not giving the health care they are meant to, is traumatising. 

Since having an abortion I have been pregnant twice. I miscarried one pregnancy. I am pregnant now, because pregnancy is my choice. I didn’t have to break the law to get pregnant or to miscarry, and no person should be forced into potentially breaking the law in order to choose to end a pregnancy.  

The most distressing part of having an abortion in New Zealand is not wrangling with the philosophical dilemma of where humanity starts for the foetus but when one’s own human rights will be considered.

If you're interested in New Zealand's abortion debate history, read this Auckland Libraries Research Centre blog.