Showing posts with label Teresa Stenson. Show all posts
Showing posts with label Teresa Stenson. Show all posts

Sunday, June 8, 2014

Write things



Connecting Writers: The Writing Process Blog Tour


What am I working on?

I work in several genres and I’m the features editor for a flash fiction journal, so right now I’m working on a comic interview, a graphic novel, several short stories and poems, plotting out a couple of novels and putting together the June issue for Flash Frontier.

How does my work differ from others of its genre?

My work isn’t easily categorised as one genre or another, so I’d say diversity is my niche. For example, my comics lean towards poetry, my fiction towards art, and so forth. I’m interested in meta-fiction and such work tends to defy genre restraints.


Why do I write what I do?

Writing’s a privilege that I haven’t always had and likely, such is the need to earn money, I’m unlikely to have for much longer, so I’m making the most of it. I’m interested in giving voice to characters from social groups who tend not to be represented frequently in literary fiction, poetry and comics.

How does my writing process work?

I wrote a guest post about my writing process here, for Alison Lock's blog.


Thank you for this, Catherine McNamara. I'm passing the baton to Teresa Stenson, who will post next week.

Thursday, February 13, 2014

Blog her award



Thanks very much, Teresa Stenson, for presenting me with this blog award and giving me something to post in February! 


- Where do you usually write/create?

In writing terms, the creating and the writing often occur at different times, though not always. Often an idea will present itself to me when I’m out and about, or when reading or listening to other people’s conversations – I am a dreadful earwigger! In that sense, the creating part happens anywhere. But the writing gets done during school hours, and evenings after the kids are in bed, and at weekends, usually at a table I bagged at a charity shop for this very purpose, though I used to have to write on my bed (which is far more uncomfortable that one would imagine if one hadn’t spent all day there). I carry a notebook with me everywhere I go, too, so I do take notes and jot lines to add to story drafts-in-progress as I potter around Auckland and its environs. Comic creating gets done, predominantly in my car, outside the house of my daughter’s guitar tutor or on the settee of an evening, and the painting part I do at the aforementioned desk. I should have just written “Anywhere,” ay?


- Describe your ideal writing/making day.

I wake naturally, it’s still very early, I have clarity of thought, my eyes aren't sore and the kids are out with their dad for the day and miraculously my neighbours are not felling trees or using petrol mowers or leaf blowers. I open my laptop and the next thing I notice is the kids opening the door, they’ve had a great day and are asking why I haven’t put the lights on. 


- What are you really enjoying working on at the moment?

A short story about food and cross-cultural social etiquette, and a comic/graphic interview with a writer whose work I am in awe of.


- What, if anything, stops you from writing?

Insects. And biscuits. Insects in my biscuits would be a definite game ender, unless they were dead fly biscuits, which would only cause a temporary hiatus. 

- If you could choose a writer to be your mentor (share work with, chat about the process) who would it be? 

I have to choose just one? I was lucky when I won the AUT Graphic Fiction Competition that part of my prize was mentoring from Dylan Horrocks, who is revered as something of a comics Buddha, though I doubt he would be keen on followers rubbing his tummy for luck. Writing wise, I love everything I’ve read of Nuala Ní Chonchúir, David Constantine and Adnan Mahmutovic, they can do no wrong in my eyes, and I’d love to natter with Alison Moore, Toni Morrison, Michael Ondaatje and Audrey Niffenegger, ask them about structure. 


- Do you believe in writer's block? If you get it, how do you overcome it?

I think it’s very real for a lot of writers, I don’t doubt it when they say they have it, but I haven’t experienced it. The nearest to it I can imagine is when I spend too much time on my opening paragraph and I find I put a disproportionate amount of pressure on myself to have the following sentences perfect in a first draft. I think something like writer’s block can also happen, conversely, when the opening is all wrong and I haven’t thought something out as well as I should have before writing, in which case the writing bumps me out and I find it difficult to press on until I’ve resolved the issue. 


- Tell us a good thing that happened to you today.

I got this blog award!


- What's the first thing you do in the morning?

Pretend to be asleep.

- What's your most listened to song?

Today it’s “Birds” by The Veils (Finn Andrews and his younger brother were at a recent literary gathering I attended, apparently I wasn’t the first person to mistake the latter for the former and my mention of the younger being the spit of my kid brother did little to redeem me). Previous obsessive plays include “Animal Life” by Shearwater; Rokia Traoré’s “Laidu”; Christine McVie’s “Songbird”; “Have You Got It In You?” by Imogen Heap; Cat Stevens’ “The First Cut”; “Yes” by McAlmont and Butler; “Tonight Will Be Fine” by Leonard Cohen (I was lucky enough that Mr Cohen gave me permission to use his lyrics in my fiction, and my fave cover of this track is Teddy Thompson’s); “The Witch of Pittenweem” by Emily Barker; and of course, Jamez Chang’s “Fifteen Years” which features a sample of my voice (who doesn’t like the sound of it?)!


- Who would play you in the movie of your life? 

Vickie Bak Laursen, better known as Pernille Lindegaard from The Bridge – Danish is a lot like Barnsley dialect: en kop te, tak – sorted. But if I wanted a blockbuster, Rachel Weisz, because a) then people would flock to watch it, and b) I think Rachel doing a northern English accent is a feather she cannot omit from her acting cap and can only improve relations with him indoors, from whom she can take lessons, and c) she’s already called Rachel – bonus. Kate Winslet might be good, too, for the upside-down smile ability. Ideally, if you get all three of them in the Brundle-pod and splice them, without accidentally including a fly in the mix, I think a good me-alike would be the result.


- What would the title of your autobiography be?

I’m slowly cobbling together a comic memoir currently and that’s called New Shoes, but a written autobiography could be called Alter Thy Face – you read it here first, folks.



Apparently I have to pass this on, and the nominees are:

Helen Caldwell 


Nominees - if you choose to accept the award, here's what you need to do:

    Thank the person who nominated you, and post a link to their blog on your blog.
    Display the award on your blog — by including it in your post and/or displaying it using a “widget” or a “gadget”. (Note that the best way to do this is to save the image to your own computer and then upload it to your blog post.)
    Answer 11 questions about yourself, which will be provided to you by the person who nominated you.
    Provide 11 random facts about yourself. (I've omitted this part as I feel it's beyond the call of duty)
    Nominate 5 – 11 blogs that you feel deserve the award, who have a less than 1000 followers. (Note that you can always ask the blog owner this since not all blogs display a widget that lets the readers know this information!)
    Create a new list of questions for the blogger to answer.
    List these rules in your post (You can copy and paste from here.) Once you have written and published it, you then have to:
    Inform the people/blogs that you nominated that they have been nominated for the Liebster award and provide a link for them to your post so that they can learn about it (they might not have ever heard of it!)

The new questions are (I couldn't think of eleven and wanted to get this posted today!):



~Who or what motivates you?
~If you weren’t doing what you do, what would you do?
~You’re on a desert island, what have you taken with you?
~Describe in one sentence your work area.
~What are the barriers to your creativity?
~What’s your definition of success?
 
 

Wednesday, December 12, 2012

Annexed big thing




Last week Catherine McNamara invited me to take part in The Next Big Thing. Catherine is a novelist and short story writer whose collection 'Pelt and Other Stories' is coming out with Indigo Dreams Publishing in 2013. Please take some time to peruse Cat's sites.

“The Next Big Thing is a great way to network with fellow writers and to find out a bit more about what they're working on. The idea is fairly simple. You, the writer, answer a standard(ish) set of 10 questions on your blog one week then ask up to five other authors (whose work you like and you think might be The Next Big Thing) to answer the same questions the next week.”

What is the title of your next book?
I’m currently working on a novel, but I’m too superstitious to talk about that before it’s completed, so I’m going to tell you about the collected short fiction I have out on submission: ‘Songs from a Room’.

Where did the idea for the book come from?
I had been putting together a different group of stories, pieces that had been listed in competitions such as the 'Sean O’ Faolain International Short Story Prize', or published individually, with a mind to submitting to the Scott Prize. Those were stories that had been written over a number of years and though some were linked, and all evidenced a continuation of the same themes, I felt I could write something much stronger, more like a novel in scope, but with the variety and intensity that only short stories can offer. I wanted to push the form. Reportage, social media, poetry, folk songs, and hymns evidence some other forms I wanted to play with. So I put all my ideas into a notebook, with mail shots and graphics and clippings and newspaper articles and all manner of things that were pushing me to write about them and had been pushing at me for a long time, and the collection took shape.

What actors would you choose to play the part of your characters in a movie rendition?
An international ensemble is needed with lots of interesting ladies and gents of all ages. There are some stunts to take into consideration when casting, but I think Phoebe Tonkins would be ace as Psyche, and I’d love Dominic West to play the 'Man Who Talks to Books', and Jemaine Clement and Bret McKenzie would have to star too. Caroline Gage would play herself. A cameo from Leonard Cohen is definitely in order. Plus a few, as they say in Auckland, ‘unknowens’.

What is the one sentence synopsis of your book?
Listen with your eyes.

Will your book be self-published or published by an agency?
Ideally, ‘Songs from a Room’ will be published by the small press of my choice, renowned for producing beautiful and inspiring books, but I’m a creative thinker and anything’s possible. One idea I had was to hire actors to read the stories and sell the collection as an audio work.

How long did it take you to write the first draft of your manuscript?
Because I planned the whole collection out in advance, the first draft took about four months.
I took a gamble entering untried stories into a major first collection competition. That said, I knew these stories were better than any others I’d written; when push came to shove, I wasn’t prepared to patch-up old work and force links to pad out the few excellent pieces I had, or send sub-standard stories out to represent me. I wanted to create a piece of art. I think I have.

The title story has just been accepted for publication in the New Zealand journal Brief, along with another from the collection, and the second story, ‘The Angel of the Warmth’ made the shortlist of the Bristol Prize, earlier this year, so it looks like the gamble’s paying off in part at least.

What other books would you compare ‘Songs from a Room’ within the genres?
I’ve done my best to defy comparison on the whole. But just prior to writing this collection, I read and was impressed by the work of Te Awhina Arahanga, Nathan Englander, David Down, Eru J. Hart, Paula Morris, Peter Stamm, Phil Kawana, and I am a fan of Annie Proulx, Katherine Mansfield, Angela Carter, Italo Calvino, Ma Jian, and Nadine Gordimer, and if I could inhabit a space somewhere between them, I’d be very happy indeed.

Who or what inspired you to write the book?
Moose. But mostly the idea that everyone has a soundtrack: the break-up song, the clubbing song, the funeral song, etc. Put together Jason Mraz’s ‘I’m Yours’, Cat Stevens’ ‘First Cut’, and McAlmont andButler’s ‘Yes’, and you have the story arc of a first relationship, but what interested me was what other kinds of music would make those life events just as memorable. 

I’ve always been obsessed by structure, so I borrowed the framework for the collection from Leonard Cohen’s brilliant music album of the same name. The songs in this album also inspired a number of the stories, and Mr Cohen was gracious enough to give me permission to incorporate some of his lyrics in those stories. Each story riffs off its sister, building to what I hope will be a collection as memorable as your favourite album.

What else about the book might pique a reader's interest?
People who love concept albums may also like this. Interest alert all criminology undergrads, I believe I have penned the first story depicting yarn bombing.

"Now it is time to pass the baton and introduce a few writer friends (and great bloggers) who will take part in The Next Big Thing on Wednesday 19th December."

Let me introduce: