I didn't have a photo of an eagle, at least not one in focus enough to tell it was an eagle. Anyway, there are no eagles in New Zealand anymore.You know when things aren't going to plan when you start a line with "I was going to..."
Well, managed to stave off that disaster. So, here's the thing, I was going to write a really interesting, stimulating, nay, I say veritable lyrical Officer and a Gentleman assault course for the mind, and I was going to tie that whole film thing (tenuous link for those of you reading between the lines) in and wow you all with my wit and...yeah, well look where that got me.
Well, what happened was, there was this dog. No, scrap that, there was this pack, big, hugemongously fearsome braying, barking, belching pack (if only the collective noun for dog began with a b) - heck, there was a back of belching beasts (why let stupid spelling rules spoil a quality bit of alliteration?)...and then I faffed about and read these and was more tickled by the degeneration of the comments thread than the jokes themselves and completely forgot what I was going to blog about.
And then, just like a flash of flashyness, I remembered: I was going to answer Steven's super duper questions from the comments in my last post about how do I write a poem and, specifically, how do I know it's a good one.
Remarkably it all ties in because the way I go about writing a poem is much the way I am going about writing this post: I think of something, I hear/read/see something and I think, that could work together, so I stick it together and something else pops into my head and then I go, wait, this is better....you see? I make it up as I go along and sometimes I like it and sometimes I don't. The ones I don't like can, often after a period of solitary confinement (for them, not me) be redeemed with a little wordy personal trainer. The ones I do like I ask politely to wait in the green room and if we still get along after the show I invite them to dinner.
Here's one that's doing hard labour for being a crime against my potential for publication - hey, I'm not proud.
Cicadas 10/03/08
Won't get used to cicadas
breaking up the air with their
too loud noise, a cross between
electricity and clock.
Biting spiders will destroy
my quality of life whilst
flies continue to taunt me
with their filthy aerial
arrogance, refusing to
die when sprayed: insecticide
does not do as it says on
the tin. Won't get used to here.
Well, managed to stave off that disaster. So, here's the thing, I was going to write a really interesting, stimulating, nay, I say veritable lyrical Officer and a Gentleman assault course for the mind, and I was going to tie that whole film thing (tenuous link for those of you reading between the lines) in and wow you all with my wit and...yeah, well look where that got me.
Well, what happened was, there was this dog. No, scrap that, there was this pack, big, hugemongously fearsome braying, barking, belching pack (if only the collective noun for dog began with a b) - heck, there was a back of belching beasts (why let stupid spelling rules spoil a quality bit of alliteration?)...and then I faffed about and read these and was more tickled by the degeneration of the comments thread than the jokes themselves and completely forgot what I was going to blog about.
And then, just like a flash of flashyness, I remembered: I was going to answer Steven's super duper questions from the comments in my last post about how do I write a poem and, specifically, how do I know it's a good one.
Remarkably it all ties in because the way I go about writing a poem is much the way I am going about writing this post: I think of something, I hear/read/see something and I think, that could work together, so I stick it together and something else pops into my head and then I go, wait, this is better....you see? I make it up as I go along and sometimes I like it and sometimes I don't. The ones I don't like can, often after a period of solitary confinement (for them, not me) be redeemed with a little wordy personal trainer. The ones I do like I ask politely to wait in the green room and if we still get along after the show I invite them to dinner.
Here's one that's doing hard labour for being a crime against my potential for publication - hey, I'm not proud.
Cicadas 10/03/08
Won't get used to cicadas
breaking up the air with their
too loud noise, a cross between
electricity and clock.
Biting spiders will destroy
my quality of life whilst
flies continue to taunt me
with their filthy aerial
arrogance, refusing to
die when sprayed: insecticide
does not do as it says on
the tin. Won't get used to here.
Here's what I think is wrong with it (yes, the list is finite - just about). Firstly, it's too personal. Most of my poetry is personal, personal is not bad per se, but (I think) the poem must also speak to a wider audience, it must transcend the boundaries of the territory in which it was created. This p, p (nope, I can't even call it one), this aberration is still very much in the shadow underneath my own I.
Secondly, agh, forget it, it just doesn't move me enough to even want to dissect it. Which is odd, considering that it's written about a subject which causes me such a strong personal reaction, because this po, po - almost typed it (pooh) - doesn't get across any of the emotion or fear - any real feeling in fact.
Thirdly, hey, maybe I'm just over my phobia? Sadly, not: I have an earwig and a spider, and some as yet unidentified flying critter, in jars on the sill awaiting release, just like this bunch of worthless words. I may be able to turn them in to words worthy of an officer but they will never be....yeah, yeah, it was a tenuous link, remember? So here goes (making an ass of myself now): run - for the hills! (*Where the seagulls fly, on a mountain high, la, la, la!)
