Wednesday, November 30, 2011

Nuala risen

Now there are some poetry books which make me want to dash off and write something myself and then there's The Juno Charm which just awed me into submission; I literally could not write for several days after I read it because it's raw and real and surprisingly funny where I didn't expect to laugh ("Mannequin Envy") and moving where I was determined not to cry ("Sons"), and because it's what I've come to recognise as a synonym for superb writing: Nuala Ní Chonchúir.

Born in Dublin in 1970, Nuala Ní Chonchúir lives in Galway county. Her début novel You(New Island, 2010) was called ‘a heart-warmer’ by The Irish Times and ‘a gem’ by The Irish Examiner. Her third short story collection Nude (Salt, 2009) was shortlisted for the UK’s Edge Hill Prize. Her second short story collection To The World of Men, Welcome has just been re-issued by Arlen House in an expanded paperback edition. The Juno Charm, her third full poetry collection, was launched in November in Dublin and Galway.

Welcome Nuala, thank you for coming to snowlikethought to talk about your latest poetry collection, The Juno Charm.

This collection made me think of a pioneer sea voyage, in so much as the moon winking from many of the poems, the varied geographies, and lonely land marks. It’s a work rich with places. For e.g., “Blue House, Magdalen Islands, Quebec”: I read it from the bottom line up and the image of a photograph, my grandma in front of a lighthouse in Canada, came to mind – when I got to it, the title was perfect, and I wondered, how important is travel to your writing?

Travel is really important to me as a writer. It’s the old thing – I’m a hermit because I’m a writer so travel is the big bonus – being invited places to read. But also travelling for the pure enjoyment of experiencing a new place. It jolts my writing to be somewhere new because my senses are on high alert. I love getting away, it keeps me interested in life. I’m just back from four days in Paris and just being there, walking different streets, was fantastic. I have a story in progress set there so I visited the street where one of the characters lives and discovered it has a church on it, which fits beautifully with the story. You don’t get that kind of information sitting at home or poking on the net.

I suppose, at this point, I should mention I read the whole collection in reverse to begin with, but on re-readings, including in the order it’s printed, I felt it had a rhythm which could not be broken, wherever I began reading from.
Journeys, of course, aren’t restricted to crossing continents; you have an ability to bring life, the act of creation, to fresh focus, and there’s a cyclical feel to this collection – again, much like the appearance, disappearance, now returning of the moon – this collection has a pulse. How much conscious thought goes into arranging the poems within the collection – is the effect of the whole something you planned for or even anticipated?

Yes, it takes me ages to piece the whole thing together. I wanted the book to have a narrative that was book-ended with positive poems. I also wanted a thematic flow, so the poems about birth are grouped, as are the poems about pregnancy loss, the ones about marriage, the New York ones are all together too etc. etc. I guess I want the reader to become involved in the story the poems are telling, which is my story over a number of years. I don’t consciously choose to write in themes but I’m possessed with different things at different times and that comes out in the writing.

Finally, I want to ask you about birds. There’s a lot of symbolism in your poems, and references, some obvious, some less so, but they only ever add more to a poem which has already reached satin gloved hands inside you and slipped them off; it’s almost like I had to pull the images, your poetry, back out of myself after the reading, so I wanted to ask you what your thoughts are on symbols, what they bring to your work, what’s your relationship to symbol?

Symbols are really important to me; I get obsessed by things from time to time - the moon, peacocks – and they start to feed into my writing. I’m a fan of Sylvia Plath (which will be obvious to anyone reading the book) and I love her use of the moon. I also love the Irish poet Matthew Sweeney’s moon cycle.

There are a lot of charms in the book – mostly to do with fertility and trying everything to get pregnant. I wouldn’t consider myself superstitious but when life is being hard on you, I guess it’s normal to look for signs and portents (in birds, let’s say) or to turn to any method possible to make things better, like carrying amulets.

And speaking of birds, a little birdie tells me you’re giving away a copy of The Juno Charm to one lucky blogger – readers, pop a mention in the comments if you’d like your name putting in the draw.

The Juno Charm is such a moving work, an utterly stunning achievement, Nuala, thanks so much for visiting New Zealand and talking about it.

Rachel, thanks a million for having me. Next week my virtual tour takes me to the lovely Tania Hershman in Bristol in the UK.

Saturday, November 12, 2011

Words worth

I just came across this over on AUT's facebook page, stuck a sample of my writing in, had it weighed and was very happy with the results: I am one lean writing machine!

Thursday, November 10, 2011

Tarn wish

I have one more poem up at Camel Saloon.

Sincere gratitude to Russell Streur, author of The Muse of Many Names, and bar keep extraordinaire.
I must have amassed a massive tab......

Friday, November 4, 2011

Love cent

Too fantastic - I have my 100th follower and it's Jennicat! Utterly marvellous - Now, what to send you, Jenni :)