Showing posts with label Catherine McNamara. Show all posts
Showing posts with label Catherine McNamara. Show all posts

Sunday, June 8, 2014

Write things



Connecting Writers: The Writing Process Blog Tour


What am I working on?

I work in several genres and I’m the features editor for a flash fiction journal, so right now I’m working on a comic interview, a graphic novel, several short stories and poems, plotting out a couple of novels and putting together the June issue for Flash Frontier.

How does my work differ from others of its genre?

My work isn’t easily categorised as one genre or another, so I’d say diversity is my niche. For example, my comics lean towards poetry, my fiction towards art, and so forth. I’m interested in meta-fiction and such work tends to defy genre restraints.


Why do I write what I do?

Writing’s a privilege that I haven’t always had and likely, such is the need to earn money, I’m unlikely to have for much longer, so I’m making the most of it. I’m interested in giving voice to characters from social groups who tend not to be represented frequently in literary fiction, poetry and comics.

How does my writing process work?

I wrote a guest post about my writing process here, for Alison Lock's blog.


Thank you for this, Catherine McNamara. I'm passing the baton to Teresa Stenson, who will post next week.

Thursday, February 13, 2014

Blog her award



Thanks very much, Teresa Stenson, for presenting me with this blog award and giving me something to post in February! 


- Where do you usually write/create?

In writing terms, the creating and the writing often occur at different times, though not always. Often an idea will present itself to me when I’m out and about, or when reading or listening to other people’s conversations – I am a dreadful earwigger! In that sense, the creating part happens anywhere. But the writing gets done during school hours, and evenings after the kids are in bed, and at weekends, usually at a table I bagged at a charity shop for this very purpose, though I used to have to write on my bed (which is far more uncomfortable that one would imagine if one hadn’t spent all day there). I carry a notebook with me everywhere I go, too, so I do take notes and jot lines to add to story drafts-in-progress as I potter around Auckland and its environs. Comic creating gets done, predominantly in my car, outside the house of my daughter’s guitar tutor or on the settee of an evening, and the painting part I do at the aforementioned desk. I should have just written “Anywhere,” ay?


- Describe your ideal writing/making day.

I wake naturally, it’s still very early, I have clarity of thought, my eyes aren't sore and the kids are out with their dad for the day and miraculously my neighbours are not felling trees or using petrol mowers or leaf blowers. I open my laptop and the next thing I notice is the kids opening the door, they’ve had a great day and are asking why I haven’t put the lights on. 


- What are you really enjoying working on at the moment?

A short story about food and cross-cultural social etiquette, and a comic/graphic interview with a writer whose work I am in awe of.


- What, if anything, stops you from writing?

Insects. And biscuits. Insects in my biscuits would be a definite game ender, unless they were dead fly biscuits, which would only cause a temporary hiatus. 

- If you could choose a writer to be your mentor (share work with, chat about the process) who would it be? 

I have to choose just one? I was lucky when I won the AUT Graphic Fiction Competition that part of my prize was mentoring from Dylan Horrocks, who is revered as something of a comics Buddha, though I doubt he would be keen on followers rubbing his tummy for luck. Writing wise, I love everything I’ve read of Nuala Ní Chonchúir, David Constantine and Adnan Mahmutovic, they can do no wrong in my eyes, and I’d love to natter with Alison Moore, Toni Morrison, Michael Ondaatje and Audrey Niffenegger, ask them about structure. 


- Do you believe in writer's block? If you get it, how do you overcome it?

I think it’s very real for a lot of writers, I don’t doubt it when they say they have it, but I haven’t experienced it. The nearest to it I can imagine is when I spend too much time on my opening paragraph and I find I put a disproportionate amount of pressure on myself to have the following sentences perfect in a first draft. I think something like writer’s block can also happen, conversely, when the opening is all wrong and I haven’t thought something out as well as I should have before writing, in which case the writing bumps me out and I find it difficult to press on until I’ve resolved the issue. 


- Tell us a good thing that happened to you today.

I got this blog award!


- What's the first thing you do in the morning?

Pretend to be asleep.

- What's your most listened to song?

Today it’s “Birds” by The Veils (Finn Andrews and his younger brother were at a recent literary gathering I attended, apparently I wasn’t the first person to mistake the latter for the former and my mention of the younger being the spit of my kid brother did little to redeem me). Previous obsessive plays include “Animal Life” by Shearwater; Rokia Traoré’s “Laidu”; Christine McVie’s “Songbird”; “Have You Got It In You?” by Imogen Heap; Cat Stevens’ “The First Cut”; “Yes” by McAlmont and Butler; “Tonight Will Be Fine” by Leonard Cohen (I was lucky enough that Mr Cohen gave me permission to use his lyrics in my fiction, and my fave cover of this track is Teddy Thompson’s); “The Witch of Pittenweem” by Emily Barker; and of course, Jamez Chang’s “Fifteen Years” which features a sample of my voice (who doesn’t like the sound of it?)!


- Who would play you in the movie of your life? 

Vickie Bak Laursen, better known as Pernille Lindegaard from The Bridge – Danish is a lot like Barnsley dialect: en kop te, tak – sorted. But if I wanted a blockbuster, Rachel Weisz, because a) then people would flock to watch it, and b) I think Rachel doing a northern English accent is a feather she cannot omit from her acting cap and can only improve relations with him indoors, from whom she can take lessons, and c) she’s already called Rachel – bonus. Kate Winslet might be good, too, for the upside-down smile ability. Ideally, if you get all three of them in the Brundle-pod and splice them, without accidentally including a fly in the mix, I think a good me-alike would be the result.


- What would the title of your autobiography be?

I’m slowly cobbling together a comic memoir currently and that’s called New Shoes, but a written autobiography could be called Alter Thy Face – you read it here first, folks.



Apparently I have to pass this on, and the nominees are:

Helen Caldwell 


Nominees - if you choose to accept the award, here's what you need to do:

    Thank the person who nominated you, and post a link to their blog on your blog.
    Display the award on your blog — by including it in your post and/or displaying it using a “widget” or a “gadget”. (Note that the best way to do this is to save the image to your own computer and then upload it to your blog post.)
    Answer 11 questions about yourself, which will be provided to you by the person who nominated you.
    Provide 11 random facts about yourself. (I've omitted this part as I feel it's beyond the call of duty)
    Nominate 5 – 11 blogs that you feel deserve the award, who have a less than 1000 followers. (Note that you can always ask the blog owner this since not all blogs display a widget that lets the readers know this information!)
    Create a new list of questions for the blogger to answer.
    List these rules in your post (You can copy and paste from here.) Once you have written and published it, you then have to:
    Inform the people/blogs that you nominated that they have been nominated for the Liebster award and provide a link for them to your post so that they can learn about it (they might not have ever heard of it!)

The new questions are (I couldn't think of eleven and wanted to get this posted today!):



~Who or what motivates you?
~If you weren’t doing what you do, what would you do?
~You’re on a desert island, what have you taken with you?
~Describe in one sentence your work area.
~What are the barriers to your creativity?
~What’s your definition of success?
 
 

Monday, January 20, 2014

Praise and thank you

Steeling myself against the high praise meted out by Short Fiction Co-Editor Tom Vowler for my story "While Women Rage in Winter" in this wonderful interview with Catherine McNamara for Short Stops. Catherine's brilliant story "Montgomery Akuofo, Father of Twins" also graces issue 7. Thank you, Tom and Catherine and Short Stops. The interview and the opening to my story can be read here.

Thursday, January 2, 2014

Ni hao

 It was only two months ago...
 ...that I flew back to England....
 ...to read my Short Fiction competition winning story...
 ...at the Plymouth International Literary Festival...
 ...where I met Catherine McNamara, Tom Vowler, Anthony Caleshu, Jamie Edgecombe...
 ...and so many other writers and interesting people...
...and it was the first time I had been back...
...since moving to New Zealand...
 ...over six years ago...
...but the strange thing is...
...I feel like I only moved here yesterday...
...whereas Shanghai...
...seems so very long ago...
...and now all my memories are packaged up, and some are already in stories, waiting to travel somewhere. Maybe these pictures will inspire you...your story could end up in Plymouth and carry you to Shanghai, too. Give it a try, the Short Fiction Competition is open for entries now.

Monday, November 18, 2013

Wild women rave in winter




I had a marvellous time in Plymouth, despite arriving in a winter squall that had me and Catherine McNamara ducking for cover in one of Plymouth's many sociable pubs (we were reliably informed that The Dolphin is the place to be). Although the picture doesn't show it, we were like a pair of drowned rats, although Catherine managed to look gamine and beautiful whilst dripping wet!


But the weather did not put a dampener on our participation in the Plymouth Literary Festival and it was with sunny smiles, nerves and excitement that we pottered up through the centre of town to Plymouth University.
 
And Catherine's reading entranced me so much that I totally forgot to take photos! You'll just have to take my word for it that the readings went well and were enjoyed by everyone in the lovely audience. It was my first public reading and I couldn't have had a kinder reception - thanks, Plymouth! Thanks also to Tom Vowler and Anthony Caleshu for making me feel so welcome and at ease (a little too at ease, perhaps!) and thanks, too, to Jamie Edgecombe and all who shared a delightful celebratory meal.
I did remember my camera when I went for a dander around the sea front, however, and I found evidence of Plymouth's rich history from every vista.
 From the wealth of Empire...
...to walls of defence...
 ...from above the sea....
 ...the sea itself....
 ...beneath the sea....
...in praise....
 ...and protest....
 ...nature...
 ...and man made...
...everywhere, signs of an outlook...
...of island life...
 ...and aspirations...
...in memory....
 ...respectfully...
 ...and irreverently...
 ...in honour...
 ...bold....
 ...devout...
...remembered...
....and those that cannot be forgotten....
...a combative history....
 ...marked with pride....
...fierce vision....
...and curiosity....
...to the fruits of Lords and Ladies. In short, a fitting location to read a story about colonialism and a taste of being English.




If you'd like to read my Short Fiction competition winning story, "While Women Rage in Winter", you can buy it via the University of Plymouth's website - it would mean a lot to me, but, crucially, it would keep this endangered and important journal alive.