Showing posts with label competition. Show all posts
Showing posts with label competition. Show all posts

Thursday, October 14, 2021

Zine workshops


I've spent all this week teaching zine-making workshops at the Forrester Gallery, Oamaru, with some amazing attendees to inspire me, not to mention the fantastic artworks on display all around the building. 

Although I won't be teaching next week, members of the public of all ages are still welcome to use the zine-making station to create an entry for the competition (I'll be judging) before the October 25 deadline.

Alternatively, stop by and collect an instruction form and make a zine at home in your own time and drop it back at the gallery before the 25th for a chance to win a $50 book voucher. 

Many thanks to Elizabeth King and Forrester Gallery for facilitating the event.

Monday, October 5, 2020

Takahē running

I couldn't be more pleased to have made the longlist of the Monica Taylor Poetry Prize for the second year running - many thanks to judge Siobhan Harvey! Wishing congratulations and luck to everyone else listed!

Wednesday, January 1, 2020

Pigeons don't save lives

I'm absolutely stoked that my story "Pigeons Don't Save Lives" got an honourable mention in the 5th Strands International Flash Fiction Competition. Many thanks to Jose Varghese and the team. You can read my story here.

Monday, October 31, 2016

Short list

Some Things the English made the Cinnamon Press Novel Competition shortlist;
I couldn't be happier;
sincere thanks to Jan Fortune and all at Cinnamon Press;
and massive congratulations to overall winner Jennifer Young!

Sunday, September 11, 2016

Friday, December 4, 2009

Glad I wait or not?

Last post I used this image. I didn't give you the full picture.



I'm glad I waited to post this.


Todays post is bigger than I wanted it to be.


Have you ever had one of those dreams where it seems really, well, real? And then you wake up, at least you think you have, and realise that the dream hasn't ended? And then, hopefully, in the real world and not in some straight to tv horror film, you actually wake up. Phewsh! What a nightmare!




There's nothing worse than doing battle in your dreams only to wake and have to do it all again - and you ever realise how rubbish you are at fighting in dreams? All that pre-experience doesn't do you any good whatsoever because, when the real event happens, all you know how to do is lose - that or wake up, and you can't wake up again if you're already awake.




Still following this?




Well today I woke up...hang on, first things first. Remember that poem I was writing about bugs? Well, I had another bash at it (oh, pardon the pun - I don't often bash the wee beasties, not often, thankfully...for me...). Here's what I have so far, not a draft as such, more a collection of associated phrases indicating something of the movement and imagery I'm interested in pursuing, or was when I wrote it:



Un-homely.

There are three in jars on the sill: insects.
You'd have to hear them to know what they are.
Mute: I have captured their identity
but the fear they infect me with cannot be kept
or even held. Reduced to a pencil tap I collect
their facts, memorise their features through that
which is featureless. You can see
their difference more clearly through the safety
of a jar. They have travelled the equivalent
of miles around a glossy ellipse: each one slips
as it tries to scale the side, all those legs and not
one can get a footing. I've never liked them
and to think I came all this way to find a fear
with features I recognise only by my reaction to them.
Window ajar: I return them outside, lesson learnt,
to butt noisily against the pane (still
ignorant of my sensitivity), or silently wander.




I used Jim's starting point and went from there. What I was aware of, as I wrote this, was that there were several things going on in my thoughts and that it was the clash of these which was one cause in my poem's non-communication. Firstly there was the noise. The first poem I posted was entitled "Cicadas": it isn't merely their buggyness which frightens me, it's their noise, and for several months of the year it is constant through the day. However, at night we have crickets - similar you would think? Yes and no. I like crickets. I can hold crickets in my hand, if I'm feeling brave. I like their sound. I detest cicadas. At some point I'm going to work on the cicadas alone.


Secondly, there was the feeling of alieness - not only of the bugs being alien, but of my feeling alienated in a place where these bugs are at home. I wanted to capture (oops) the feeling I had, often still have, of being not-at-home: an un-homely feeling. This in turn leads on to ideas around heimlich and un-heimlich and touches on the gothic, the surreal and the notion of things which are all too familiar being at the same time most frightening. I want to write a poem with these elements in.


Finally, there is the realisation that different senses react differently to different aspects of buggyness. There's a lot of difference. Certainly it all results in the same fear but the individual elements deserve distinction.


Now, shall I begin at the beginning or at the beginning of the end and work backwards - what works for you?


I woke up with the breeze from the open bedroom window blowing my hair across my cheek. It was just a dream, phewsh, here I am in my own bed with a gentle breeze to cool my perspiring brow. I sat up. My hair was still blowing the same way, only the window wasn't open.
Back a bit. I had gone to bed after checking my blog (for what, blog bugs?) and drifted off into a fitful sleep. I had a dream about a hairy spider - specifically a hairy spider in the bathroom which someone (my husband?) flicked into my face.
I woke up and felt a sense of calm rationality sweep over me when I thought of the last image I had observed closely:



The moth "eyes" - and I laughed at how funny it was that I had cropped off the part which scared me - see the little furry critter in the left hand corner ("LITTLE" USED HERE TO SHRINK FEAR TO MANAGEABLE PROPORTIONS).


I looked at my husband who was looking at me and I saw an expression register on his face which I felt ought to have been on mine. Especially considering the fact that my hair was still travelling towards my eye.

A flush of adrenaline had me flick my hair from my face. I felt nothing. I saw nothing. I did the thing they do in horror films when you shout "NOOOOOOOOOOoooooo"!

I peered over the edge of the bed and saw:

five little diamonds, twinkling in the sky

which one did I pick? Go on, click the link - I dare you.

I want to say that I rushed to grab my trusty bug hoover and carefully disposed of this fellow to hoover up some spiders of its own (white tails are unusual in that they only prey on other spiders - veritable gladiators of the bug world).

The End.

P.S. Sleep tight, mind the bugs don't bite! Oh, and the scale...it's all wrong, the one on my head was much bigger, about five centimeters across, bigger than my eye in any case, or in my head!

Short story newsflash - there's a competition over at the Tomlit blog if you're interested. Get your entries in quick though, deadline is December 14! Think I'm going to enter.

Monday, June 29, 2009

Short thought

The short story has received rather a lot of publicity recently, and I, for one, am glad. I think it is a fantastic medium which suffers - at least it has in the past - from literary snobbery. It is about time it was raised in status to its rightful place. Bring on the short story awards....well, there are two competitions that you, dear readers, may be interested in: the BBC annual short story competition, and the one in my list of fave blogs - over there, on the right.

So, what are you waiting for?

Well, in case you want a little inspiration, here are a few of my favourite short stories to whet your nibs and get those creative juices flowing. In no particular order:

The Bloody Chamber and Peter and the Wolf by Angela Carter, The Dolls House by Katherine Mansfield, The Little Match Girl and The Little Sea Maid by Hans Christian Anderson, Bluebeard's Egg by Margaret Atwood, The Withered Arm by Thomas Hardy, The Signalman by Charles Dickens, and Mr Loveday's Little Outing by Evelyn Waugh.

Angela Carter's short fiction is so rich I can only read one story in a sitting, and still feel as though I've read a whole novel. She is at her best, for me, when she writes about wolves. She was influenced (see intro by Salman Rushdie in Burning Your Boats) by Shakespeare, and like the Bard, if a thing was worth writing about once it was worth repeating! But she (along with t'old Will - as I affectionately like to refer to him) could certainly pull it off.

Mansfield is at the other end of the spectrum from Carter; her stories are the epitome of reserve and understatement and are as breathtakingly succinct as they are panoramic. Although some of her short fiction is almost novella length, it still leaves me wanting more. I long for the novel length Mansfield, but alas, like Carter, she was cut down in the prime of her story telling prowess. I read somewhere that Mansfield wrote the only fiction that Virginia Woolf was ever jealous of, and it is understandable why. I love the way her metaphors climb out of the pages and grab me. The Dolls House is one of only three short fictions which can make me cry: the other two are by Hans Christian Anderson.

Atwood captures everything that is so perfect about her writing in Bluebeard's Egg. I have to wonder why it takes her so many more pages to say it in a novel. Plus I love anything to do with Bluebeard!

Thomas Hardy was apparently never so happy as when he had written something miserable, so The Withered Arm must have had him jumping for joy and giving high fives to the air! He perfectly captures the real grit and pain behind so many of those beautiful pastoral paintings of rustic idylls. I am blissfully miserable when I read his fiction and his poetry.

Dickens is Dickens! What's not to love? With The Signalman, his writing reminds me of that of his pal, Wilkie Collins - I'm thinking Woman in White here...woooooo - wonderfully atmospheric.

Waugh is the boiled sweet of fiction: his writing will melt like syrup but still manage to slice your tongue with its razor sharp astuteness. Dark and wry, the man was a genius, though in his longer fiction he does, admittedly, become a little tiresome. Reign it in a bit there Waugh!

Hope there's something you like in that little lot!